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Stencil dyeing katazome employs stencils made of mulberry bark paper, laminated in several layers with persimmon juice and toughened and waterproofed by smoking. Invaders from the northeast Asian mainland established the Yayoi Culture in Japan beginning around B. International trade increased again during this period, bringing a wealth of new materials, techniques and design motifs to Japan. Brocades and tapestry weaves of various kinds were used in ancient times for Buddhist ecclesiastical garments and temple decorations. Floating-weft or floating-warp satin shusu is often used for silk garment fabrics in which the main decorative elements will be applied by embroidery. Stitches may run parallel to the warp, or to the weft, or both; patterns are usually geo-metric, and often elaborately lacy. Weavers, dyers and other textile workers from Korea and China were encouraged to settle in Japan under court patronage; the production of textiles was both patronized and regulated by the state, and the best textiles were produced in imperial workshops.
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Japanese Textiles

Japanese embroidery uses a fairly small repertoire of stitches, including French knots, chain stitch, satin stitch, and couched satin stitch. The paste is washed from the cloth after dyeing. Yuzen is capable of achieving color effects of astonishing subtlety and complexity, and is used to produce the finest and most prized of all kimono fabrics. Invaders from the northeast Asian mainland established the Yayoi Culture in Japan beginning around B. Undyed areas of shibori textiles can be embellished in various ways, including hand-application of dyes using brushes, embroidery, or by using paste to apply gold or silver foil to the fabric. The introduction of Buddhism in the mid-sixth century swelled the demand for fine textiles for ecclesiastical use. Sumptuary laws designed to prevent commoners from wearing brocades and other complex textiles simply stimulated weavers and dyers to produce surface-decorated fabrics of exceptional beauty and variety that stayed within the letter of the law. There was a significant vogue in the late 19th century for Western clothing for both men and women; in the early twentieth century, however, many women returned to wearing kimonos much of the time.
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The technique, akin to quilting, is known as sashiko , and developed from a practical way of using cloth to a unique craft of decorative stitching. Freehand paste-resist dyeing tsutsugaki uses a waterproof paper cone to apply paste to the fabric; this technique is often employed to create large, bold patterns such as are found on shop curtains noren and package-carrying cloths furoshiki. Patterns are cut into these stencils using special knives. Cheap machine-made fabrics cut deeply into the peasant production of handwoven and hand dyed cotton cloth. The status of textiles in contemporary Japan can be considered in four categories. These textiles were put to many different uses: Japanese farm women developed a technique for salvaging worn cotton textiles for re-use by stitching them together in layers for use in jackets, aprons, and other protective garments. The introduction of Buddhism in the mid-sixth century swelled the demand for fine textiles for ecclesiastical use. Simple stencil dyeing is most commonly found in folk-art indigo-dyed cotton textiles, used for domestic furnishings as well as for clothing.
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Description:BE You can also send us an email through our contact page of this website. Oriental decoration new and antique Buddhist objects and unique pieces from Tibet Tibetan small furniture and temple cabinets Tibetan jewelry An unprecedented choice of polyester sculptures and decorations Buddha, dogs, cats, rabbits, monkeys, gnomes, angels, cows, pigs, sheep, crocodiles, chickens, horses, elephants, penguin skulls, snails, owls, Textiles have long played an important role in Japanese life. Home our products wholesale Catalog News and info Contact My account. Traditional textiles continue to flourish. Twill is frequently also used as the ground weave for a multicolored, brocade-like, drawloom-woven fabric called nishiki.

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